Get Brainworx bx_subfilter Audio Plugin Free!

Get Brainworx bx_subfilter Audio Plugin Free!

We like free, right? Brainworx bx_subfilter offers a quick and easy approach to cleaning up low-end rumble while adding punch and power to your sound’s core. Polishing your mix’s low end can be tricky. Bass DI tracks can sound mushy, and kick tracks can lose their “pop.” Sometimes everything below 100Hz can become such an undifferentiated soup of noise that you just don’t know where to start! Start here: The bx_subfilter is just the ticket for adding clarity and definition to tracks that have troublesome low frequencies. There are lots of expensive and complicated EQ plugins out there, but when it comes to shaping your low end, the bx_subfilter is unique for its ease and simplicity. With just a few quick adjustments to its four-knob interface, you can breathe new life into those 808’s that have been muddying your mix. The bx_subfilter is a free plugin that borrows from the “Filter” section of its larger counterpart, the bx_subsynth. It’s the perfect plugin for anyone who loves the bx_subsynth’s unique approach to low-end filtering, but doesn’t need the subharmonic synthesis. If you think that cleaning up your low end shouldn’t break the bank or require twenty knobs, we’ve got a plugin for you. Among the bx_subfilter’s features: Tight Punch knob implements a resonant high pass filter that’s especially formulated for cutting problem frequencies in bass-heavy tracks Resonance selector applies three peak settings to the filter – Low, High and Extreme – for accentuating punch while taming low-end rumble Low End control applies a post-Tight Punch fixed bandpass filter, to achieve that perfect frequency balance Input/output gain controls for level matching...
CakeWalk CA-2A Tube Leveling Amplifier Free

CakeWalk CA-2A Tube Leveling Amplifier Free

Faithfully modeled after one of the most sought after studio compressors in history, the CA-2A T-Type Leveling Amplifier puts the silky, smooth sound of this highly desirable unit right into any VST compatible DAW. CA-2A ProChannel Highlights Meticulously modeled Zero latency for real-time tracking and mixing Up to 40dB of smooth, transparent gain reduction Frequency dependent compression Program dependent attack/release Fully modeled “R37” HF Pre-emphasis control Dual photocell reset modes (Classic & Fast Reset) Use side-chain compression for ducking, pumping, and more Level the playing field Since the 1960s, professional engineers have relied on the unique characteristics of this electro-optical tube-based compressor to work its magic on all kinds of sources, including guitars, bass, pads, and especially vocals.  Previously only available to big studios that could afford these all tube units, the CA-2A T-Type Leveling Amplifier lets you wield this legendary sonic weapon in your own studio, on your own tracks. With only a few simple controls, it’s easy to use and provides instant gratification with professional results. It features native x64 operation, zero latency performance, and 64-bit double precision audio fidelity. Get the kind of smooth, warm sound heard on so many classic recordings, at a fraction of the cost and with modern convenience. Modeled to a T The characteristic sound of the original hardware unit is a result of both its tube design and the famous T4 circuitry – and the CA-2A T-Type Leveling Amplifier meticulously models both. The T4 circuit is made up of an electroluminescent panel partnered with and an optical photocell that, together, determine the the attack and release time – all based on...
Get Izotope’s Neutrino Spectral Shaper Free

Get Izotope’s Neutrino Spectral Shaper Free

Add that final polish to your mix with Neutrino, a free spectral shaping plug-in that offers a glimpse into iZotope’s newest mixing technology. Insert Neutrino on multiple tracks across your session to reveal a subtle amount of detail that can help elevate great mixes to a new level of refinement. iZotope’s free spectral shaping plug-in, Neutrino, has been designed to be simple and easy to get started with. Its effect is meant to be very subtle so that it doesn’t disrupt the intricacies of your mix, but instead adds just the slightest amount of that special “something” to each of your tracks. Here are some step-by-step instructions to get you started working with it right away. Use it everywhere. Neutrino is meant to be used on many individual tracks, submixes or stems, not your master track. In many digital audio workstations, you can add a plug-in to all tracks at once by holding down the Option key and inserting Neutrino. Neutrino has been optimized to use very little CPU power, so you can comfortably use it on all the tracks in your session without a problem. Try it at the end of your signal chain. You can instantiate Neutrino anywhere in your signal chain to get the sound you want, but try starting with it at the end of your signal chain, in the same way that you might use an analog summing emulation. Set the mode and starting points for each track. Now go through each instance of Neutrino and choose the respective mode (Voice, Instrument, Bass, Drums). Then set both the amount and detail controls to 25%...
Get Unfiltered Audio’s Indent Saturator Free

Get Unfiltered Audio’s Indent Saturator Free

Get Unfiltered Audio’s Indent Saturator Free Through August 14th! Indent is your crunch commander for electric guitar, bass, synth and drum tracks, delivering saturated tones from subtle grit to destructive overdrive. Choose among four different-sounding clippers—Hard Clip, Soft Clip, Wavefold and Overfold—at Indent’s input and output stages to add saturation with the perfect color. Then adjust the analog-style low pass filter’s Cutoff and Resonance controls to refine the tone from buttery-smooth to ripping. Indent’s Mix control blends the perfect amounts of dry and processed signals, letting you add just a hint of saturation effects or go full bore. Using Indent’s simple and intuitive interface, crafting overloaded guitars, growling bass and fat and trashy snare drum tracks is child’s play! Once you’ve got your killer tone dialed in, use Indent’s flagship modulation system to add both conventional and cutting-edge effects. Six different freely assignable and fully automatable modulators can be patched to every control knob with drag-and-drop ease. Classic tempo-synced tremolo and wah wah effects are just the start of what you can create. Modulate a drum’s input gain with an envelope follower to make stick hits explode and mic bleed shrink—or whittle the hits down to split-second spikes. Modulate Indent’s Cutoff and Resonance with a tempo-synced square-wave LFO to make saturated guitar tracks pulse and resonate to your song’s tempo. It’s fun to use distortion and modulation together in new ways to create novel, ear-catching sounds. From warm, round tones to modulated, overdriven chaos, Indent is your ticket to terrific-sounding tracks. Great for producing both familiar guitar pedal-style effects and unusual sounds that surprise and provoke Simple controls and...
Free Nomad Bus Driver Vintage Optical Compressor – $149

Free Nomad Bus Driver Vintage Optical Compressor – $149

Vintage Optical Compressor with Tube Saturation Bus Driver is an optical compressor that provides a wide range of compression effects, reminiscent of the best vintage compressors made in the ‘60s. Compression is one of those studio processes that is all too often taken for granted and not usually used to its full potential. Today’s producers think nothing of inserting compressors on every single channel of their DAW when mixing, but old school engineers had to learn to make the most of only a few units of compression and this made them learn them inside out to use them to their best advantage. Bus Driver is modelled on the classics from the ‘golden age’ of tube compressors. Also included in Bus Driver is a Tube-Driver Saturation feature. It allows you to add the sound of a vintage tube amplifier giving you the differing electronic characteristics of triode, tetrode, and pentode vacuum tubes. So you can add the vintage warmth of the those models of the classic tubes (e.g. ECC83, 12AX7, etc..) to your tracks or on your mix bus. Nomad Factory designed an Output Stage Soft-Clipping to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the Tube-Driver Saturation Modeling included in Bus-Driver. DontCrack and Bernie have taken the decision to offer Bus Driver free for a limited time. It was his way of expressing his gratitude to the audio community for the help he received. Hopefully you will be using every day and that it will accomplish the goal of saying ‘Thank You’ for the heart-warming support you showed...
Get Waves One Knob Louder Compressor Free [EXPIRED]

Get Waves One Knob Louder Compressor Free [EXPIRED]

Simply be logged into your account at Waves.com and then click this link. Boom! Instant Freebie added to your Waves account. http://AudioEngineering.co/go/One-Knob-Louder About One Knob Louder – Using a combination of peak limiting and low-level compression with automatic makeup, Louder effectively makes tracks louder, increasing RMS by up to 24 dB. Easy-to-use dynamics plugin Make tracks louder, up to 24 dB Peak limiting and low-level compression with automatic makeup Perfect for individual tracks and full mixes alike Waves is pleased to offer you one copy of OneKnob Louder at no cost. OneKnob Louder is a user-friendly plugin that will help you make your tracks louder quickly and easily. Make sure your mixes are as loud as the big boys! Grab it while it’s...
Waves Cobalt Saphira Harmonic Enhancer Audio Plugin

Waves Cobalt Saphira Harmonic Enhancer Audio Plugin

Waves Cobalt Saphira Harmonic Enhancer is now available at the introductory price of $99. Offering a new level of musicality and control, it’s an advanced harmonics shaping tool that lets you add rich harmonics to your tracks in order to give them analog musicality, depth and “glue.” Click Here to get Cobalt Saphira for $99 Click Here to get Cobalt Saphira for $99 A NEW LEVEL OF CONTROL Waves Cobalt Saphira gives you an unprecedented level of digital control over different aspects of the harmonics you are adding: Edge and Warmth – for separately controlling and balancing even and odd harmonics 4-band EQ – for separately shaping the frequency spectrum of each type of harmonics Harmonics modes – seven different modes, with graphical representation so you can see the changes in harmonic structure Tape – five tape speeds for adding wow-and-flutter modulation in order to give your tracks extra musicality and depth A NEW WAY TO GLUE YOUR TRACKS We often use the term “glue” when touting the benefits of compression. But the “glue” we hear from a good compressor is many times the result of added harmonics. Cobalt Saphira lets you directly control your harmonics without compression, helping to glue your tracks and turn them into a more musical, cohesive mix. ADDED DEPTH Achieving balance and clarity in a mix is expected. Achieving real depth in a mix is where they single out the pros. Cobalt Saphira allows you to inject this sought-after quality into your mixes. Excelling on groups and sub-mixes and in mastering situations, Cobalt Saphira gives you rich harmonic enhancement that can be creatively tailored...
Variable Tube Compressor Plugin By Klanghelm FREE!

Variable Tube Compressor Plugin By Klanghelm FREE!

It’s a variable-mu design with lots of vibe. Capable of smooth leveling but also heavy pumping effects. With its two gain stages and interstage transformer simulation it offers a very deep and lively soundstage. The three-position timing switch not only controls the attack and release times of the unit, but also the slew rate of the transformers and the timing of the other parts of the circuitry, that are directly influencing the generated harmonics (saturation.) MJUC Jr. is a mix of Mk1 and Mk2 of its big brother MJUC. It’s combining very natural, dense compression characteristics of the early days of this type of compression with a more forward sounding approach and more harmonics creating of the variable-mu comps of the early 1960s. CLICK HERE TO GET IT Dig in!...
TAL Reverb4 Audio Plugin By Togu Audio Line FREE!

TAL Reverb4 Audio Plugin By Togu Audio Line FREE!

TAL-Reverb-4 is a standalone version of the high quality reverb implemented in TAL-Sampler. For Windows/Mac OSX Features Modulated vintage reverb sound. Very diffuse sound. Fast build up time, also with long reverb sounds. Works on almost every audio material. Easy to use. Only stereo channels supported. GET IT HERE...
iZotope Announces Audio Mastering Month

iZotope Announces Audio Mastering Month

  From iZotope Education – Learn to make your audio masters sound fantastic! This is a 4 week series on the art and science of audio mastering. Starting July 6, and for the entire month, the Education Group at iZotope will be on hand to help you improve your mastering skills. Up For Grabs Practical tips to improve your music sound Videos, webinars, live chats and more! Weekly mastering software giveaways A grand prize drawing to win a track mastered by Grammy-nominated Audio Mastering Engineer Jonathan Wyner, a GRAMMY-nominated audio mastering engineer, iZotope’s Director of Education, and on staff at Berklee College of Music. Register at this Link About iZotope, Inc. iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite,...